These artists have each captured a unique and beautiful horizon.
Limitless
HEART OF THE SEA – TAL PAZ-FRIDMAN
January 1st, 2016 was a day of a major winter storm. The Mediterranean was infused with raw power and the waves were rushing with tremendous speed and energy to shore. It was the embodiment of the beauty and power of the natural world, which I am so connected to.
AT THE SEA – MATTHIAS HAKER
Haker has masterfully balanced black, white and grey tones to transform the water into a sea of foggy cloud. Much of Haker’s work focuses on the beauty of nature and the affects of time and transition on our understanding of the natural world.
CYAN SEA 1 – CHRIS TUFF
Chris Tuff is an international, award-winning Photographer and Director. ‘I have always been driven by the deep-seated compulsion to create images. By the time I was nine years old I was taking photographs, developing films and making prints. My renewed focus on my first love, stills photography, has brought me full circle – back to where I started.’
ORANGE AND BLUE – MATT FREESTONE
The way the light plays through crystal clear and blue opaque glacial ice is incredible, as well as that stunning mix of orange and blue – hence the title.
WAVES – TAL PAZ-FRIDMAN
“Waves” speaks to me on so many levels. It represents the freedom every one of us possesses, even if we are not always in awareness of it. It is the relentless energy that flows within each one of us but not always harnessed, and it is fluctuating waves of happiness and sadness we encounter throughout our life.
SEA MOON – CHRIS TUFF
‘I have always been driven by the deep-seated compulsion to create images. My renewed focus on my first love, stills photography, has brought me full circle – back to where I started.’
WILD WAVES – STUART HAMILTON
This stunning photo of a riotous, tempestuous sea, with foreboding clouds hanging over it, captures the sea at its most powerful and visceral. Hamilton has cleverly captured a rare blip of sun creeping through the dense raincloud above.
COTE DAZUR – TIM HALL
Drawing from the work of Hiroshi Sugimoto, Hall captures the sea in all its vast, empty glory. It’s an image that restores a meditative calm to the eye of the viewer, reconnecting us with the expanse of the world at a time when it seems almost suffocating. Shot at a low sun, sunlight ripples across the ocean surface, blurry the boundaries between sea and sky.
ROUGH – MATTHIAS HAKER
In ‘Rough’, Haker masters the technique of long-exposure to juxtaposes the jagged rocks against the soft fog of the sea. An impendingly dark sky lingers over the scene giving the monochrome work a dramatic, theatrical quality.
