“One can have no smaller or greater mastery than mastery of oneself.”
– Leonardo da Vinci
MASTERY

11.24 MARILYN MONROE – ANDY WARHOL
The Marilyn Monroe series is arguably Warhol’s most recognized portfolio. Fascinated by her fame, Warhol used Marilyn Monroe as one of his earliest muses. These prints are based on a photograph of the star taken by Gene Korman as a publicity shot for her 1953 film Niagara. Warhol began producing his Marilyn portraits shortly after her death in 1962.
EDGES 1 – SANDERS NICOLSON
Always disheartened by the limits of photographic texture on thin prints, Nicolson’s artwork was finally transformed when he discovered piezo ink technologies. This allowed him to develop a rich finished form to his photographs. In Edges 1, he chooses to focus on floral images in order to bring to the fore the texture of the work.
SWEET WILLIAM – JASPER DALGLIESH
Sweet William is an irresistible, colourful, biennial flower. The flower name “Sweet William” is often said to honour the 18th century Prince William, Duke of Cumberland. It is also said to be named after Saint William of York or after William the Conqueror. This shot was taken in Lossenham Manor, Newenden, Kent, UK.
GRAND NATIONAL AINTREE – LEO MASON
Silhouettes of thoroughbred horses charge over Aintree’s iconically high hurdles in this quintessential image of a traditional British sporting event. Almost close enough to touch the horses as they flash past, Mason grants us an exhilarating perspective on the race, almost as if we are galloping alongside them. The only question remains- who is going to win?
ICE BUBBLES – DARWIN WIGGETT
This chilly photograph of ice bubbles frozen across Abraham Lake in Alberta captures the extreme landscape that can be found in the great Canadian outdoors. Darwin has masterfully composed the photograph so that the ice ridge leads our eye towards the unforgiving mountains in the far distance.
CELINE DION – DANIELA FEDERICI
This glamourous shot of the singer, Celine Dion, posing through the archway of a door captures the moment she walks out on stage, yet in a humbly domestic setting. As much an image of the imagination as one of reality, it presents both an insight into the mind of the singer and a rare perspective of her looking out from the sphere of the private to the glare of the public. Shot in silhouette, Federici artfully captures Dion’s graceful curves.