She

This close up profile portrait of a beautiful woman with her hair blowing in the air is a product of Moore’s unrivaled talent as an illustrator.

This vintage photograph shows Audrey Hepburn as Eliza Doolittle in My Fair Lady (1956) which earned Cecil Beaton the Academy Award for Costume Design.

“Our work is a reflection of the world we live in. We attempt to express our sense of human life and mood through our photographs, capturing subtle emotion, acknowledging the balance between the known and the unknown, fiction and reality, driving desires and fantasies. We like them to have a surprise quality, revealing a stimulating and intriguing element.” Lislee House certainly captures these values. Taken in Cork, Ireland in 2015.

Sophia Loren in Madame Sans-Gêne by Christian-Jacque. Most of the films scenes were shot at the Cosmopolitan Film Studio – which belonged to Loren and producer Maleno Malenotti – where Pellegrini d’amore, seven years before, was filmed.

From the “Black Sitting” series, New York, 1956

A top fashion photographer, Federici presents an enigmatic photograph of a model spotlight down a long hotel corridor.

In this photograph, the influence of Helmut Newton on Federici’s style is undeniable.

This was shot on Polaroid film, courtesy of a generous grant that came from Polaroid via Elko Wolf, a director at the company. “I shot it using a Mamiya 6×7”, Thorton says. It depicts Shelley Stevens, styled in a green dress drenched in water.

Terry Fincher is renowned for his war photography, having covered, among others, the Suez crisis, five tours in Vietnam and the Six Day War. This classic and award winning portrait of Twiggy was shot in 1966.

In ‘Shoe’, we see Newton moving away from full-length portraits and towards more abstract explorations of line and form.