Savour these mouthwatering artworks and see what tickles your fancy.
Taste
AN APPLE A DAY KEEPS THE DOCTOR AWAY – JOHN THORNTON
The John Thornton original signed triptych is 15.5″ x 15.5″ each image, bromide print.
CARAVAN – MARK MAWSON
Undoubtedly a memory maker, this mysterious restaurant named ‘La Brasa’, with its charming lights and brightly lit windows, suggests a warm refuge from the cold. We are only left to wonder- where is it? and what does it serve?
ARTICHOKE – JASPER DALGLIESH
Artichokes have a tender heart at their core which is protected by strong layers of leaves – they represent hope, peace and prosperity.
CAMPBELL’S SOUP PEPPER POT 51 – ANDY WARHOL
Campbell’s Soup Can series 1 was published in 1968. This iconic portfolio features the easily recognizable Campbell’s soup label, and ten different varieties of soup.
RITA’S – DAVID YEO
Shot at night in Florida in 2004 in natural available and neon light, David Yeo recalls “This classic Diner intrigued me with the way it transformed and brightened the street. The Diner’s isolation is unimportant as it shines out ever more brightly to attract any passer-by.”
TOMATO SALAD – LESLEY BUCKINGHAM
Illustrating for packaging and books – whether her own or someone else’s – Lesley also regularly exhibits around the UK. These beautiful illustrations are watercolour on paper.
CHOP HOUSE – STEPHEN MILLERSHIP
First opened in 1870, this Victorian pub has been serving some of the best British food for nearly 150 years. Illustrated at night, Millership draws our eye into the hearty pub through his use of warm oranges and yellows.
BAD TASTE – JOHN THORNTON
I have said in the past, “Bad Taste…is it in Bad Taste or does it have a Bad Taste?” It depends upon your point of view!
FRUIT BOWL – LESLEY BUCKINGHAM
Lesley lives in the fertile glades of the English countryside where the enchanting surroundings of her garden studio permeate her illustration work, textiles and model making.
LUPINS – JAKE POLONSKY
This photograph focuses on a sea of lupins in bloom set against the majesty of the English moors. Shot with a unique film, stock, the sepia tones grant the image a pre-historic feel.